Saturday, August 30, 2014

CURTAINS: PERFECT EXAMPLE OF 80'S SLASHER MOVIE

Those of us old enough to remember can recall a time when slasher movies were everywhere back in the 80's. It seemed like they made a quick visit to the local theater and then filled the shelves of video stores left and right. Some were good, some were bad, but most were similar in content and were not too terrible to watch. It was a time when horror was beginning to become a normal staple of film having been subjected to a once every five year cycle. That has played out to a time now when nearly every week we see several horror films arriving on the DVD shelf.

Among the films being released now are those classic slasher films from the 80's, including the release from Synapse of CURTAINS. Following the formula of a masked killer taking out multiple characters it's actually not a bad film even though it was surrounded by controversy when it was released. That controversy had nothing to do with people being offended by the content but with the film itself, originally directed by Richard Ciupka but taken from his hands and re-edited and shot by producer Peter Simpson. Simpson had a reputation for being difficult to please and that story is best told here in the extras portion of the disc.

The story revolves around a group of actresses gathered at a country retreat to audition for the part of Audra, a role and film that's the pet project of director Jonathan Stryker (John Vernon). When the film opens we witness Stryker help admit actress Samantha Sherwood (Samantha Eggar) into a mental hospital supposedly disguised as a patient. All of this is a way for her to get deeper into the motivations of the character of Audra, to gain insight into what it means to be a mental patient. The problem is that the longer she's there, the closer she becomes the patient she is to play. But is she really becoming that insane character or is it acting on her part?

Suffice to say that years go by and eventually Stryker decides to make the film using a new lead actress. Sherwood hears about this and escapes from the mental ward determined to retake the role intended for her. The problem is there are several other actresses all heading to a remote country estate with that same goal in mind. One is a fading star, another a sexpot, one an ice skating star, a hopeful stand up comedian and more. Each actress is willing to do almost anything to get the part.

As the weekend progresses Stryker tests each actress for the role in various ways. At the same time the girls suddenly begin being killed by a mysterious murderer wearing an old woman mask. Just which one of them is the killer so determined to get this part that they're willing to take out the competition in such a drastic way? Did Sherwood really snap while in the mental ward? Or is it one of the other ingénues seeking fame and fortune?

While the extras talk about the fact that the film was taken over by Simpson who had a completely different take on the material and how it would look, the combining of the two different shoots on the film is relatively unnoticeable. Had I not know that it was going on I probably wouldn't have noticed. When you're aware of this fact sure you notice. Otherwise you just enjoy this as another 80's slasher movie. That's what Simpson wanted where as Ciupka was going for a more stylish film in the vein of DON'T LOOK NOW. This combination of different movies plays well rather than suffer from the melding of the two different takes on the same story.

The acting on display here, from major stars towards the end of their careers to new actresses hoping to ride the wave to stardom, is actually quite good. It's actually a step above what most films of this genre tended to offer. Vernon also does a great job as the director obsessed with a movie that means everything to him. How each brings their character to life here shows they were up to the challenge of making the film believable.

That being said the movie is no high handed drama. It remains a slasher film. This genre was all about finding ways to kill off characters in various means while at the same time keeping the viewer unaware of just who was doing the murders. Consider it a who-dun-it filled with more gore than those stories contain. At the same time realize that the gore factor for 1983 when the film came out is far tamer than we see now. TV series like THE WALKING DEAD have more gross out scenes in one episode than this entire movie. And still it all works.

Synapse has done a great job with the release of this movie to blu-ray. The quality of the transfer is wonderful. The extras included are great as well, giving more background to the making of this film than most features receive. It's interesting to go back and watch the film again after watching that background information. If you're a fan of those 80's slasher films then you'll not only want to watch this film but add it to your collection as well. It's a quality release of a genre that needs to be remembered.

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