Sunday, March 8, 2020

HUDSON RIVER MASSACRE: UP NORTH VIA ITALY






The spaghetti western is a wonderful retelling of the American west through the eyes of Italians who grew up watching classic Hollywood films in the western genre and reading dime store western novels. They interpreted these tales into a genre of their own creating some of the greatest westerns ever made. So imagine my surprise to learn that they also decided to turn their direction north to Canada with a western from that area as well. Suffice to say there is a reason they didn’t do this more than once, at least that I know of.

The story is incredibly basic. The Hudson River Company is ripping off the trappers giving them less money than they deserve for the pelts that they collect. Seeking independence from the company and the country it represents the trappers become bandits, stealing the pelts back while being tracked by the mounted police working for the company. Our hero tries his best to stay uninvolved in the matters at hand until his brother is falsely accused and hung. He joins the bandits and is later assigned the task of guarding their captive, the daughter of the company representative. That’s about it. Wrap a few gun battles, fist fights and jealous girlfriends and you have most of the movie.

Let me say up front that I applaud MVD Classics for at least saving this movie from obscurity. I’m a true believer that any and all things set to celluloid deserve to be saved. Somewhere out there is someone who saw this film when it was released and loved it from start to finish. Not many perhaps but there is someone.

That being said this movie wasn’t that good. Not only was the film itself lacking in quality when it came to things like film stock and storage, the story is weak and feels like a combination of clichés around which a story has been placed. The acting is far from credible and the direction is so commonplace as to be completely unnoticed.

More time is spent standing around talking about the actions being planned than the actions themselves. When the action does take place it’s done with unconvincing choreography and multiple gunshots that almost always fail to land anywhere near the intended victims. The love story here takes place without progression and characters abandon their core beliefs to suddenly fall in love.

All in all I’d find it hard to recommend this movie to any but the die-hard Italian movie fans or western lovers that will watch anything that involves buckskins and horses. For most this is one you’ll want to avoid. 



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