Wednesday, October 24, 2018

MADMAN: CLASSIC SLASHER



At a recent panel discussion of the film MY BLOODY VALENTINE director George Mihalka noted that current horror fare was filled with beautiful people. Male models with six packs, female models who were gorgeous, all took the place of ordinary people in horror films. Reflecting at the current spate of horror films I found that his statement was true. It wasn’t that people in horror films of the past were ugly but they were so, well, perfect looking. The use of the beautiful people has made horror films ones that most of us can’t relate to. It’s as if the victims were no longer us but indeed actors portraying roles instead. In watching MADMAN I felt the same thing. But the biggest difference was that both of these older films were more frightening because of that simple reason as well as the fact they were made with heart as opposed to dollar signs.

MADMAN opens with the remaining kids at camp and their counselors sitting around the campfire on the last night telling ghost stories. Max (Frederick Neumann) tells the story of a killer who lived in the abandoned house a stone’s throw from their fire. A farmer who murdered his wife, his son and his daughter. The townspeople upon discovering the deed went after him and during the fight to capture him he was scarred after being hit by an axes. They took him to the woods where they are now and hung him from a tree only to find him missing the next morning. The legend says that you should whisper his name if you dare mention it at all, the name of Madman Marz.

Of course one of the teens at camp, Richie (Tom Candela), has to yell out the name and tosses a rock through the window of the house. Sufficiently frightened the counselors and campers head back to their cabins. The lead counselor TP (Tony Fish) stays with the three boy campers to put out the fire but before they return Richie sees something in the trees and remains behind.

Upon returning the kids go to bed, the counselors get together for their last night at camp and Max heads to town for supplies and to play cards. TP and Betsy (Gaylen Ross) cozy up in the hot tub while the others pair off as well. When TP checks in on the campers he finds Richie missing and heads out to find him. It isn’t long before TP is found by Marz (Paul Ehlers) and becomes the first in a line of new victims of Madman Marz.

Whereas most movies of this genre focus on the gore quality of the film with extreme shots of viscera on display MADMAN relies more on suspense and story than the rest. Yes, the story is simple and familiar but the interplay between characters here feels more real than many films of the genre. No in depth amount of time is spent to develop these characters but each is one that doesn’t take an enormous amount of writing to recognize. And rather than horny teens we have horny college age students which is something different as well.

While taking place at night the film never puts the viewer so much in the dark that you can’t tell what you’re looking at and that’s a credit to director Joe Giannone and cinematographer James Lemmo. Far too many horror films have been ruined by being too dark to decipher who was who or what was what. And specific shots of Marz are wonderful to view, giving a tease of him in the shadows, in silhouette or as a flashlight passes over him only to find him gone when swung back into view. All of these add to the suspense of the film.

And suspense is more of what this film is about rather than the typical blood fest. We watch as campers remain in cabins unaware of what it taking place (until near the end) and counselors are picked off one by one as they search for the missing teen Richie only to find Marz in their path bent on their destruction. As I said, it has similarities to movies made at the time but also is different enough to make it a film worthy of its own fan base.

Vinegar Syndrome has done a fantastic job of presenting this on blu-ray with an amazing 4k restoration from the original negative. It’s never looked better. On top of that the extras are wonderful as well and include a documentary on the film that’s as long as the movie itself. That feature is THE LEGEND LIVES: 30 YEARS OF MADMAN MARS and was made in 2010. Other extras include a new interview with producer Gary Sales, Madman Marz himself Ehlers and Candela, the first time Ehlers and Candela have seen one another in 35 years, the featurette MADMAN ALIVE AT 35, a commentary track with the producer, director and cast, a commentary track by The Hysteria Continues, music inspired by the film, an in memoriam piece on members who have passed away, the original theatrical trailer, TV spots and a vintage image gallery.

The movie works on all levels and this version from Vinegar Syndrome is amazing to watch. Couple that with the extras noted above and fans of horror need to make sure that they add this one to their collection. Forget about the old VHS copy you still have, the bootleg version on disc or any previously released versions. THIS is the one to own.

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