Thursday, December 7, 2017

FATHER GOOSE: GRANT’S ATTEMPT AT AN OSCAR



I remember seeing FATHER GOOSE years ago. My best recollection of it makes me think I saw it at the drive in with my family. I know I saw it often growing up when it was on TV back before cable stations controlled all the classic films. Now it’s being offered on blu ray in a great version from Olive Films.

The story revolves around Walter (Cary Grant), a loner who’s left the world behind to live off his wits in the south pacific. Unfortunately this is during World War II and the Japanese in the islands may change his intended course. Walter is shanghaied into working for the allies as a spotter on a remote island where he’s left shipwrecked by an “accidental” bump into his boat. With supplies and whiskey on hand he should have no problem helping them. And to make sure he’s sober enough to do so, they’ve hidden the whiskey until he spots something and it’s confirmed.

When word reaches the allies that another spotter may have been found they lure Walter into helping rescue the man. He arrives to find the man now buried. At the same time he discovers there is a teacher and a group of young girls also there who need his help. Taking them with him back to his island the film becomes a comedy of wills as the teacher Catherine (Leslie Caron) sets about taking over the place until help can rescue her and the girls.

With the Japanese in the area the best the allies can promise is a rescue in a week. In the meantime Walter continues trying to fix his boat, finding the bottles of whiskey the teacher has hidden so he won’t drink in front of the impressionable girls and trying not to go crazy as his way of life is changed. In the process he begins to lighten up his disposition and take a paternal turn towards the young girls and a romantic interest in Catherine.

The set up and follow through here is fairly routine but that doesn’t matter. It isn’t the substance of the story that matters here as much as the fun placed all around it. The interaction between the gruff Walter and the girls is priceless and full of good humor. The romance is subtle and never intrusive. And there is just enough of a touch of action to make it seem fairly real for a movie made around this time.

In reading the liner notes and watching the extras I learned something I wasn’t aware of. As much of a leading man as Grant was and for all of the acclaimed movies he’d made he’d never won an Oscar and it bothered him. While his fellow stars of the time were winning he was overlooked. But all of his roles seemed alike, the debonair man about town who was pursued by the female lead. He had said he was retiring from movies but after speaking with Alfred Hitchcock who told him he needed to play against type, he was presented this script which gave him the opportunity to do so.

This film was his attempt at winning that long coveted Oscar. The end results was that he didn’t even get nominated. It was 2 years before he made another film and that was his last. Fortunately Hollywood recognized the error of their ways and eventually he was presented with an Oscar for his lifetime achievement in film.

The movie here offers plenty of laughs and entertainment to boot. And Olive Films is releasing this as part of their Olive Signature Series which means you’ll get the best quality print as well as some interesting extras. This version is a 4k restoration from the original camera negative. The extras include an audio commentary track featuring film historian David Del Valle, UNFINISHED BUSINESS: CARY GRANT’S SEARCH FOR FATHERHOOD AND HIS OSCAR with Grant biographer Marc Eliot, MY FATHER an interview with internet pioneer Ted Nelson discussing his father director Ralph Nelson, Universal Newsreel footage featuring Leslie Caron and an essay by VILLAGE VOICE critic Bilge Ebiri.

Fans of Grant will want to add this version of the film to their collection as will sixties film fans. It is a treat for those who remember movies like this and who want to enjoy yet another Cary Grant classic.

Click here to order.

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