Wednesday, September 14, 2016

THE HUNTSMAN-WINTER’S WAR: THE PREQUEL SEQUEL



Let me say up front that for one reason or another I never got around to seeing the previous film that ties into this, SNOW WHITE AND THE HUNTSMAN. When I heard that this film was supposed to be a prequel to that one I was glad knowing that I hadn’t lost anything from one film to the next. Except that this film is not only a prequel but a sequel as well. The first 30 minutes or so sets the stage for what would be the first film but then moves to events that transpire afterwards. In the end it doesn’t matter, nothing is lost and the film can be enjoyed or not on its own terms.

The film opens with the tale of two sisters, one the evil princess Ravenna (Charlize Theron) who poisons the king and then takes his throne. Nearby is her sister Queen Freya (Emily Blunt), who takes on a lover and bears a child. Ravenna bewitches the man into killing the child because of a premonition provided her by her magic mirror. Freya is distraught, killing the man and condemning herself to a life without love, something she intends to eliminate from her entire kingdom.

Bound with her cold heart are her powers over cold as well. She has her guards go out and capture children to serves as her special forces, raised to be without love and as cold and calculating killers as she is herself. But as the children grow love will surely find a way to some of them and it does in the form of Eric (Chris Hemsworth), the Huntsman of the first film, and Sara (Jessica Chastain), the two best members of the elite force Freya has assembled. When word of their betrayal reaches her she orders them to run the gauntlet of the group. Being the best there is they survive but Freya interferes and raises a wall of ice between them, letting each see their worst nightmares in the other before her guards take down Eric and toss him into a nearby river. So ends the prequel.

Years later, and after the first film, the magic mirror once used by Ravenna is being transported to a vault for safekeeping. Unfortunately it is uncovered and those guarding it kill one another. Snow White sends word to Eric via two of her dwarves to assist in recovering it which he eventually comes around to doing, especially when he learns that Freya has her eye set on the mirror to gain power.

The trio set out and are eventually attacked by Freya’s men. Their salvation arrives in the form of Sara, still alive and filled with fury for Eric abandoning her. Or so she thought. While his vision of her was her death, the one Freya provided Sara was Eric abandoning her to save himself. As they carry on to recover the mirror they go about trying to set things straight. Along the way they meet two female dwarves who join in the adventure.

Several escapades, adventures and mishaps later the mirror is recovered. Unfortunately Freya is nearby and takes control of the prized possession. Captured and escorted to her castle along with the mirror, the real magic involved in it is revealed and a battle for this world soon follows. Crosses and double crosses occur, true feelings are on display and an end to the long time battle follows involving all parties with the exception of the missing Snow White (I’m guessing Kristen Stewart didn’t want to be involved). Will true love win the day?

So the fact is there is plenty of story here to work with. At times perhaps too much. What does work well, surprisingly, is the combination of prequel/sequel. You never feel like you’re missing a part of the story. Enough information is inserted to make it all plausible. But then there are moments when you feel like okay, enough already, let’s move forward.

The film provides plenty of action mixed with decent doses of humor making for a fun film. But in the end when all is said and done it doesn’t feel like a great movie. It feels just sort of there, as if it was made with good intentions but not a lasting quality that will make you want to watch it more than once. Yes, I enjoyed it but will I want to revisit it again? I’m not so sure I will. The performances are fine, the direction is fine and the photography is well done. But the movie falls prey to one of the worst things possible that seems to be a growing trend. It relies far too much of CGI effects to the point where several items on display take forever to finish. Trust me, a long flowing robe of liquid that solidifies into a character is not exciting to watch, not done well enough to make it feel real and boring when you get down to it. So why make it last seemingly forever.

Having grown up with the classic films of Ray Harryhausen I am a great lover of all things special effects. But even Harryhausen knew not to overuse them. And sequences that did used them and then move forward rather than take forever for them to develop. The film makers here could have used that sense of enough of a good thing. Rely on your actors, on your story and less on the effects to tell your tale.

A good enough film, a solid evening’s entertainment, but as for collecting this is one for fans of the stars and completest who want the entire film collection on hand. 

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