Friday, July 31, 2015

THE EROTIC RITES OF FRANKENSTEIN: FOR FRANCO FANS ONLY



I’ve attempted to watch several films by noted director Jess Franco over the past few years and I still don’t get it. Fans in the horror community hail him as one of the seminal directors of the genre in Europe over the starting in the seventies when he truly began directing more and more films. I’m sorry to say that the more of his movies I see the more he has in common with Ed Wood than directors of note.

I’m sure much of his popularity stemmed from his use of naked or semi-clad women in his films but there has to be something more than that for him to achieve the status that he did. Perhaps it was his inclusion of what some considered taboo subjects at the time like S&M. Whatever it was I still have yet to become a member of the fan club. Perhaps someone can suggest one of his better films than the ones I’ve witnessed to date.

Which brings us to this film. It begins with Dr. Frankenstein and his assistant Morpho finally creating a creature that comes to life. Unfortunately at the same time the assistants of Cagliostro are also nearby and steal the creature away. This involves the first hilarious moment in the film when the head of this group of henchmen is led by the character most call “The Bird Lady”. Bedecked in green feathers leaving exposed flesh she tends to caw like a bird rather than talk. Later on when she does talk you’ll miss the cawing as she tends to overdramatize any and everything happening.

The monster itself is a joke to witness. Given the square headed appearance we’ve known to love since the first Karloff film, this time around he’s shirtless and painted silver for some reason. He can talk but still in monosyllabic sentences. Worst of all is when his silver “skin” rubs off on someone else in a scene.

During the capture of the monster Dr. Frankenstein was killed. Now his daughter appears and seeks not only revenge but the return of the monster as well. The police talk with her but are little use. To find out just who is responsible for the murder she asks the victim. What’s that you say, he is dead? Like that makes a difference. Hooked up in the lab she uses magnetic energy to bring her father back around and learn what she needs to know. Not one to let a good gag go to waste, Franco has the doctor regenerated several times before he finally kicks off.

Facing off against Cagliostro won’t be easy. He’s survived for centuries changing bodies as each ends its time on Earth. His plans are to create a female creature to mate with the current one thus giving them the chance to bring forth a number of offspring who would live forever providing him with a more permanent place on the planet. Only Frankenstein’s daughter can stop this from happening and avenge her father.

If this movie weren’t so badly produced it might have been a decent story to film. Instead it has all sorts of nonsensical moments and inclusions that might look cool but have little to do with what is going on. Cagliostro has a number of followers dressed in the appropriate monk’s garb, almost all with bland looks on their faces and several who are just skulls inside the robes. Every scene they are involved in is the same filmed sequence. If that weren’t enough the bird lady becomes more laughable each time she speaks.

The acting in the film is so over the top as to make the actors in the afore mentioned Ed Wood movies seem like major thespians when compared. The lighting is often off, sometimes overly bright and others far too obviously day for night. I’m still trying to figure out just what directing was done for this movie. Maybe if I go back and watch it one more time with the audio commentary track playing it will make more sense to me, but if that’s the case then how good a movie can it be?

Look, I understand that movies like this need to be preserved for historical purposes. They also need to be made available for fans of the director and his work. But as for the casual viewer I would be hard pressed to find anything to recommend about this movie. It does offer people the chance to see one of the works of Jess Franco. But still, if someone can recommend something that’s a better representation I’m all ears.

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