Wednesday, July 8, 2015

LAST KNIGHTS: SLOW START, SUFFICIENT ENDING



This film takes the tale of the 47 Ronin, alters the location and time it takes place and changes a few more details before the end of the film. The tale of a group of dedicated warriors whose master is killed and who wait for revenge has been used more than once and in some cases more effectively. But this version has its ups and downs, the end result of which is a movie that’s enjoyable for one viewing but perhaps not repeat playings.

In a time unspecified (I would assume the future after war has altered the world since the members of the various members of the group and of the ruling class come from different races and ages), the Emperor rules with the assistance of Gezza Mott (Aksel Hennie), a tyrannical sort who has resorted to not only raising taxes on the people but a more or less blackmail of all feudal lords as well. This does not set well with Bartok (Morgan Freeman), a lord who refuses to pay. In so doing his life is forfeit and his execution at the hands of his lead warrior Raiden (Clive Owen) is called for.

Once his lord has been killed the lands of Bartok are divided among the remaining lords and his family scattered. His warriors are cast aside as leaderless men, tossed aside to find menial positions from which to make a living. Having been cast as warrior elite whose main purpose was to stand in honor for their lord and master, they now have nothing left to be loyal too. Raiden falls the furthest from the group, returning to the drunken life he once led before he became a knight, saved by Bartok oh so long ago.

Gezza Mott remains doubtful and has his own right hand man keep an eye on Raiden. Fearing that attempts will be made on his life with revenge as their intent, he tries to pressure Raiden into acting. But Raiden has fallen deeper than expected, going so far as to sell his sword for the price of a drink. The emperor’s high council member passes and he elevates Mott to this position. Before doing so he tells Mott to discontinue his spying on Raiden. Mott does so and from there things begin to change.

If you know the story of the 47 Ronin then you know what is coming. If not don’t let me ruin it for you. Suffice to say that this telling of the famous story does a decent job once things begin moving forward. But it is in getting to that point that the movie is ruined to an extent. It takes nearly 2/3 of the film, moving at an incredibly slow pace, to get to the best parts. What you would think is an action film has less action than one would expect. A nice sequence at the film’s opening and then in the last 20-30 minutes or so help but not enough.

The acting is a bit higher than most films of this sort with Owens doing a great job in a role he’s become used to over the years having already starred as King Arthur at one time. Freeman is solid in his performance but it is far too short when you consider his name is above the title here. The rest of the cast hold their own as well making them a formidable force not just as the knights but as performers as well.

The movie is better than one would expect in some ways, worse in others and in the end a movie that is worth watching at least once. Those who expect to watch it over and over again are either Owens fans, sword play fans or those whose expectations are not of the highest order. Still, it entertains and is worth a night’s rental.

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