Tuesday, March 17, 2015

BIRDMAN (OR THE UNEXPECTED VIRTUE OF IGNORANCE): FLIGHT OF IMAGINATION



Hollywood has made movies in the past that talked about what it was like to be in show business. The majority of those films were glossed over elaborate productions that showed how glamorous the business was. On rare occasion a film came out that showed it could be destructive as well. BIRDMAN runs along the lines of those destructive films while at the same time being uplifting by its end.

Michael Keaton stars as Riggan, an actor who has seen better days and is trying to resuscitate his career. Famous the world over for starring as comic book superhero Birdman, he turned his back on the role after three films, trying to find legitimacy in more meaningful roles. But those parts didn’t do his career any good and now he finds himself on Broadway, producing a play he himself has written and will star in. If it tanks, his career is over. It’s one last shot at stardom.

Surrounding Riggan are various side characters. Zach Galifianakis is his agent and partner in this production, always trying to make his star feel as if the world revolves around him. Emma Stone is his daughter and assistant, Sam, there to help when needed but feeling as if she deserves more attention from her father than a job. Naomi Watts is Lesley, the budding female lead of the show who wants success as much as Riggan wants to reclaim it. And Edward Norton is Mike, Lesley’s boyfriend and the current wunderkind of Broadway, an actor who in the eyes of the critics can do no wrong. He also happens to be the most prima donna person involved in the show.

As the movie opens Riggan is concerned about the way things are going. Set to open up with previews in a few days the second male lead in the show is struck by a stage light and needs to be replaced. Lesly suggest her boyfriend Mike who has made himself available for the show and is willing to join the cast. But all doesn’t go well with his arrival as Mike is a person who thinks he’s the center of the universe, soon making the play more about his character than the one Riggan is playing in the hopes of regenerating his career. Fear, concern, anxiety and that ever present damaged ego are what rule Riggan and when combined will either elevate his career or send it crashing to the ground.

Through it all Riggan wanders the stage, the backstage, his dressing room and the streets trying to find his center, to find himself in such a way as to massage not just his career but his ego as well. In focusing only on himself and his needs he misses everything going on in the world around him. As the movie moves forward you begin to wonder if he hasn’t lost his mind as well as we see him talking to his alter ego of the past, Birdman. We also glimpse moments of him displaying certain powers that were associated with the character. Are they real powers or is this just a glimpse at what is going on in his mind? I think that’s for the viewer to decide as they watch his story unfold.

The movie offers a masterful use of camera going from start to finish in what would appear to be a single shot with the camera following one character only to veer off and follow another before returning to the first. This not only makes for an interesting use of the camera as if you were someone there following each person from place to place but adds to the tension from scene to scene as well as the frenetic pace of the film which constantly seems on the move. It also makes the movie seem like a play unraveling in real time until the final scene.

Much has been said about Keaton’s performance here and deservedly so. For those of us old enough to recall his career from the start it’s hard to imagine the person seen on screen here began as a stand-up though short lived comedian who acted in comedies to begin with. When he was chosen as the first new Batman many scoffed only to be delighted with his performance. That adds a nice touch here as this character is also trying to get over his past superhero performance. Keaton makes this character believable and one that we care about before the film ends. Is he insane? Does he really have powers? Does he have the ability to bring his career back to life? Keaton tackles all of those ideas here with what seems like ease though is in reality talent.

The rest of the players in the film add everything to this movie. Had the roles been handed to lesser actors they would have felt like cardboard. Instead each brings their side characters to life and support the role that Keaton uses as the centerpiece for the film.

This movie will not be for everyone. Watching it for the first time I wasn’t sure if I liked it or not. The more I thought about it the more I did. It was something refreshing and different. It might not be everyone’s cup of tea but if you’re willing to give it a try you might find something different and enjoyable to see here. Did it deserve to win best picture this year at the Oscars? In my opinion no. But then again I tend to enjoy the movies it skewered most, superhero flicks. Different strokes for different folks.

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