Monday, December 16, 2019

MARY: GHOST AT SEA



Today’s horror fans don’t seem to understand that you don’t need a group of nubile teens that look like they walked off the pages of a fashion magazine and you don’t need gore laden effects to make an effective ghost story. The two greatest ghost films ever made, THE HOUSE ON HAUNTED HILL and THE UNINVITED, had none of these things and yet to this day provide solid scares. So when MARY came to me I wondered if it would be up to the challenge.

The story opens with a ship in distress and few survivors being picked up. The setting moves to an interrogation room where Sarah (Emily Mortimer) is being questioned by Detective Clarkson (Jennifer Esposito). Before she will allow her to see her two daughters, Clarkson wants to know what took place on the boat and to find out if Sarah is a murderer or just plain crazy. And so Sarah begins her story.

Sarah’s husband Dave (Gary Oldman) is a ship’s captain working for a tourist company in Florida who has dreamed of owning his own ship to take people out to sea. When he and his partner Mike (Manuel Garcia-Rulfo) go to look at a potential ship, David is drawn to a battered old ship that was abandoned at sea and towed in by the Coast Guard. A ships masthead of a woman leads the ship and intrigues him. He buys the ship and insists with a little work it will be the perfect boat for the family.

They clean the ship up and prepare for a test run sailing across the Atlantic. With their youngest daughter Mary (Chloe Perrin) who thinks the boat is named after her, teenage daughter Lindsey (Stephanie Scott), her boyfriend to be Tommy (Owen Teague) and Mike, they prepare to set sail. Strange things happen before leaving as Tommy takes a picture of the group in front of the boat only to see an eerie image in the flash as he takes it.

Once at sea stranger things happen. Mary begins talking about a new friend she’s met on the boat. Then the first night out, Tommy attacks Mike with a knife. They subdue Tommy and at their first port leave him to calm down before heading home. They later learn that he hanged himself in his cell.

As they travel forward we learn more about the family on board the ship. When Sarah tells David she wants to return he tells her they can’t, that everything they have is tied into the boat and they must move forward. But those strange things continue to build. Sarah finds the logs of the ship and learns that three families have gone completely missing from the boat in the past. Then Mike goes mad. The question of what is behind this and if the family will survive is yet to be seen.

The film works on many levels because what is terrifying is rarely if ever seen. A situation where you have to wonder is it something toxic on the ship that’s causing this? Is it past relationships? Or is there really something that haunts those on board? That is what makes the film all the more mysterious.

Add to that the sense of isolation when you have a boat in the middle of the ocean and the scares generate themselves. That feeling that it’s too far to go back and so far from your destination. With nowhere to run from whatever you are confronting, how do you deal with it?

While Oldman is the selling point of the film and turns in his usual great performance it is up to Mortimer to carry off this story and make it work. She does so in spades, having us wonder if this isn’t some story she dreamed up to explain her actions or if she truly did see something out there. If she didn’t play the part with conviction it would fall apart. Fortunately she does an amazing job.

MARY won’t be for all audiences. As I said today’s young people have a tendency to ignore films that feature adults or that don’t rely on gore to move the story forward. But horror fans that have been around a while will find this film a treat. With that in mind I can recommend this one with ease and hope that others will find it just as satisfying.

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