I’ve been a fan of Blaxploitation films for some time now.
Those films made mostly in the 70s that featured an urban setting, starred
black actors in lead roles and usually ran to either heavy duty action flicks or
twists on horror films. They were pure entertainment made for theaters that
catered to black audiences but that found fans among all races. Titles like
FRIDAY FOSTER, SLAUGHTER, BLACULA and DR. BLACK AND MR. HYDE were regular
features shown in theaters that catered to fans.
J.D.’S REVENGE is one among the many films of this genre
that was much better than one would expect. It opens in 1942 with a black
gangster arguing with a woman who then slashes her throat killing her. J.D.
Walker runs in to find her dead, blood on his hands when he picks her up and
then discovered by her lover who kills him on the spot.
Fast forward to present day (in this case 1976). Isaac
(Glynn Turman) is a law student who drives a cab part time. Live in girlfriend
Christella (Joan Pringle) encourages him to get ahead. They head out for a
night on the town with two friends and end up at a club where Isaac is
hypnotized. Unfortunately that provides a gateway for J.D. to reenter the world
and possess Isaac off and on.
Christella and his friends know something is wrong but they
can’t quite figure out what it is. One moment Isaac is fine and the next he
seems like someone else altogether, which of course he is. And when he is he is
prone to violent acts of rage.
The story begins to flesh out when Isaac ends up in a church
where ex-boxer turned preacher Rev. Elija Bliss (Louis Gossett Jr.) is
preaching. It was Bliss who killed J.D. all those years ago. The woman murdered
was J.D.’s sister and Bliss was her lover. As the possessed Isaac watches he
begins to plan his revenge. Just who really killed his sister is yet unknown
but will be revealed by the last portion of the film.
There is plenty of story involved in this movie, enough that
it needn’t have been a Blaxploitation film at all. It stands on its own as a
tale of possession, revenge, love, hate and the supernatural. The acting is
well done by all involved and shows Turman at the top of his game. For some
reason he seemed to find more work on TV than in films and that’s sad. He
deserved better.
The film doesn’t rely on gore to tell the story and uses the
abilities of Turman in the shifting role of Isaac/J.D. instead. Some special
effects are on hand but they are not used in such a way as to become the
centerpiece. It is Turman’s performance that makes the film work. The end
result is a movie that while part of the whole Blaxploitation genre is among
the best that was offered.
Arrow Video is releasing this in their usual manner, which
means the best edition you will find. The movie itself is a 2k restoration from
original film elements produced exclusively for this Arrow release. There are
numerous interviews on hand here, the original theatrical trailer, reversible
sleeve artwork, a collection of trailers for the films of director Arthur Marks
and for the first pressing of the title a booklet written by author Kim Fields.
If you bought this long ago on video or one of the numerous bootleg copies that
have existed for some time, now is the time to step up to this edition. It also
surpasses the Soul Cinema collection edition released before.
Click here to order.
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