Thursday, March 26, 2020

TWILIGHT ZONE SEASON ONE: A RETURN TO THE ZONE




The TV series TWILIGHT ZONE was unleashed on the world by creator Rod Serling back in 1959 running for five seasons before it ended. While only around that long the series was a benchmark for creativity on television. In one form or another it remained on TV through reruns and later going so far as being a marathon event on SyFy network. In 1985 it was revamped and ran for only 3 seasons and again in 2002 for only one. Now the series returns with an equally adept host and executive producer on CBS’ pay station CBS ALL ACCESS with the first season arriving on disc.

Director/producer Jordan Peele has made a name for himself with two movies featuring that Twilight Zonish twist, GET OUT and US. He brings the skills he showed on those movies to this series, offering new stories as well as twists to some of the classic tales in the original. All of them are done exceptionally well and setting a high mark on quality programming.

Only ten episodes were created for the first season no doubt to find out if there was an interest in it. Happily there was and a second season has been ordered. But the interest wasn’t just out of curiosity, it developed because of the quality product offered. In addition to being quality fueled the new series also pays homage to the original with small nods of the head in bits and pieces. Little things in the episodes pop up that are reminders of that series.

A great example is in the second episode “Nightmare at 30,000 Feet”. Not only was this in the original series and starring William Shatner it was included in TWILIGHT ZONE: THE MOVIE with John Lithgow. This time they’ve taken that original idea and given it a new twist with

Being on a pay station allows the use of language that network wouldn’t allow but never to the point of being distracting. Instead it allows a more Adam Scott in the role. Instead of facing off against a gremlin on the wing of the plane something else is transpiring at 30,000 feet. The nod to the original is brief when we see the results of a crash and among the debris is a doll that is the gremlin from the original series. Those are the kind of things that pop up throughout.

Like the original series the stories here revolve around science fiction, a touch of horror and with a twist to make each episode unique in its own way. Peele takes on the Serling role of narrator/host, introducing and closing out each episode and does so with perfection. Like its predecessor this version may set the standard for anthology series to come.

While watching each episode I was pleasantly surprised at what a tremendous job had been done her. The only problem was that there were only those few episodes to enjoy. If you were a fan of the original trust that this one does it justice and be happy that the second season is ready or about to be as well. And then hope that somewhere, even if not here, there is a land beyond that which is known to man, a dimension as vast as space and as timeless as infinity, a middle ground beyond light and shadow, between science and superstition, that lies beyond the pit of man’s fears and the summit of his knowledge, a dimension of imagination, an area called…the twilight zone.

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