Monday, January 27, 2020

FREAKS: ANTI-HEROICS



With the rise in popularity of the super hero film it was only a matter of time before the negative side effects of super heroes were seen as well. The first film in this genre was BRIGHTBURN and it was an amazing film, a look at Superman had he not been the all American Boyscout that the comics have him to be. Now a second film in the genre arrives, FREAKS, and it has not as harmful a look but one that draws questions as well.

Seven year old Chloe (Lexy Kolker) lives in isolation with her father (Emile Hirsch). Their house is boarded up and the windows have newspaper over them, preventing not just anyone from looking in but Chloe from looking out. He warns her not to go anywhere, not to step outside the door and if he thinks she has, she’s punished for it. While some might suspect the movie is about a kidnapper the truth is he honestly is her father and wants to protect her. But from what?

When dad steps out to take care of items their survival depends on, Chloe begins getting curious. That curiosity is egged on when a book is dropped though the mail slot, a book about an ice cream truck. While reading it she hears the bells of the truck, peeks out and sees it parked in front of her house. Disobeying her father, she steps out and talks to the man in the truck (Bruce Dern). A friendship develops and it isn’t long before Chloe begins to wonder if there isn’t something wrong with her father.

But strange things with Chloe make the viewer wonder just who has the issue. She talks to her friends who suddenly appear in her room, or rather her room transforms into theirs. She also sees her mother somewhere looking haggard, troubled and tied down. Their conversations talk about warnings and being careful, much like her father’s do.

On one expedition outside dad returns wounded, shot in the side. When he passes out Chloe takes advantage of it and goes for a ride with the ice cream man. They visit and park and he talks to her about pushing herself, releasing her true potential. When a policeman approaches the pair and draws his weapon, Chloe gets upset and screams which causes the officer to holster his gun and walk away. It also causes her eyes to bleed tears, something her father warned her of earlier and that she saw advertised on a sign.

So somewhat of a spoiler her now. If you don’t want to know any more, then stop. What we discover is a world in which mutants have been born, called freaks, who have different powers. When one such person had an accident killing a number of people, it was decided to round up these powered folks and provide them with a location all their own to live in. Or so it seemed.

With each passing moment we learn more about these people and how Chloe, father, mother and the ice cream man all have ties to them. We also learn why Chloe is so special and how she will be the turning point for all the “freaks” from here on forward.

Super hero film? Of course. This provides a take on the mutants of comics, a mild riff on the X-men without actually calling it that or saying the phrase mutant powers. But that is indeed what we are watching here. A world where those who are different are captured and locked up by a world fearful of them. They have every right to be afraid but had they chosen a different path then what.

The movie unravels a bit at a time, never revealing too much and allowing the actions on screen to tell the tale. The performances are superb here, especially young Kolker on whose shoulders the film rests. Had she not been able to pull off a believable performance the movie would have bombed. Instead it soars with her performance alongside those of her co-stars.

The movie was not released in a way that garnered it much attention but now that it’s on disc it makes up for that mistake. Now the film can be discovered by a public that will appreciate the film. And while there are other more major releases appearing my suggestion would be that this be the film you give a watch this week.  

No comments:

Post a Comment