Sunday, February 10, 2019

THE FIFTH CORD: AN ELITE MURDERER



The re-emergence of giallo films with the release of Dario Argento’s THE BIRD WITH THE CRYSTAL PLUMAGE found a number of films in the genre being released. Among them was this gem starring Franco Nero.

Nero stars as alcoholic reporter Andrea Bild who is among the guests at a New Year’s Eve party where only the high class of Rome have gathered. When one of the guests is almost murdered on the way home he is assigned to report on the story.

But the attack is only the first of many, each occurring on a Tuesday. And all of the victims were in attendance at that party. The single clue that connects each of the murders is a glove with a new finger missing from it as the body count rises. As Bild begins digging into the clues he suddenly finds himself the focus of attention from the police as well. The only way for him to clear himself is to solve the mystery, netting himself a solid story in the process.

But that won’t be as easy as expected. Each of the guests are, as stated, among the top members of the upper crust in Rome. These are people who can pay to have an alibi or who will back one another up in order to keep their dark secrets buried. Sifting through the clues is one thing, being taken off the story when the elite force the issue with your bosses is another.

Along the way we also get to glimpses into Bild’s private life as well. He’s in the midst of an affair with a married woman strictly for physical needs, all the while still harboring deep feelings for his ex-wife Helene (Silvia Monti) who was also at the party. Bild and Helene parry with one another as they attempt to keep their distance but the underlying current of affection between the pair is thick. When Helene’s son by her second husband is placed in jeopardy Bild is there for her.

The movie is impressive to look at with some stunning cinematography. Combined with the sets and use of color in the midst of drab cityscapes it holds your interests throughout. Stylish moments are also used to great effect, in particular the tension built when party guest Sophia (Rossella Falk), a wheelchair bound wife to doctor Richard Bini (Renato Romano) is attacked and unable to reach her chair. Crawling across the floor an inch at a time while the killer toys with her is nerve wracking and a highlight of the film.

Arrow Video is releasing this film in blu-ray format and they’ve done their usual stupendous job with the film. I’m at the point where there’s almost no need to state that fact with their releases they’ve become so consistently perfect. Here they’ve done a 2k restoration from the original film negative. The extras are also enjoyable and include a commentary track by critic Travis Crawford, “Lines and Shadows” a new video essay on the film’s use of architecture by critic Rachael Nisbet, “Whiskey Giallore” a new video interview with author and critic Michael Mackenzie, “Black Day for Nero” a new video interview with actor Franco Nero, “The Rhythm Section” a new video interview with film editor Eugenio Alabiso, a previously deleted sequence restored from the original negative, an image gallery, a reversible sleeve featuring original and newly commissioned artwork by Haunt Love and for the first pressing only an illustrated collector’s booklet featuring new writing on the film by Kat Ellinger and Peter Jilmstad.

Arrow is doing an amazing job of releasing giallo films in the best format possible. As a fan I applaud them. As a movie lover I highly recommend picking this one up to add to your collection.

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