As I said in my review of ECCO/THE FORBIDDEN (also just
released by Severin) “a genre began with the release of a “documentary” called
MONDO CANE. This 1962 Italian documentary was made for shock value. It
consisted of a series of travelogues that featured various cultural practices
from around the world and was intended to stun audiences in the Western world.
It did just that and made a ton of money doing so. It also spawned a series of
imitations that more often than not used the word “mondo” to pull customers
into theaters.”
Both ECCO and THE FORBIDDEN were features that cashed in on
the genre from the producer/director/distributor team of Lee Frost and Bob Cresse. Taking in enough money to realize
they had a good thing going they kept at it with these two films, MONDO FREUDO
and MONDO BIZARRO.
The first of these
two films featured here is MONDO FREUDO and he dips back into the same film
footage that got him here to begin with offering not much more than the same
thing all over again. But since people were willing to dish out money to see
these films it didn’t matter. They were still considered shocking and taboo at
the time. This film features things like Tijuana hookers, more strippers, more
devil worshippers and British prostitutes. The thing is by this time it seems
they had less real footage to sift through and shot more of it than ever. So
much of it is staged as to make you wonder who would have believed this was
real. Then again maybe the testosterone fueled male at the time wasn’t worried
about that as long as there was plenty of exposed female flesh to behold and
there is plenty of that, timid by today’s standards though. Still it makes for
an interesting discussion when one witnesses the truly sexist way women are
viewed here with the way they are treated today. I for one am glad we’ve moved
forward.
MONDO BIZARRO
presents more of the same with little variation. This time around we get to
glimpse a Bahamian voodoo ceremony involving chicken blood, a Japanese massage
parlor where little happens, a Nazi theater in Germany that features a woman in
a swastika sporting G string and ends with an Arab slave auction that is so
ridiculously fake it’s sad.
But as I said before
there was a market for these movies when they came out until it eventually
died. It pops up once more now and then (remember the FACES OF DEATH films?)
but for the most part it was the early ones that people remember. Now fans can
own copies of them brought out by Severin and done so with care.
To begin with the
films are scanned in 4k resolution from the original film negatives found in
the Something Weird 35mm vault. They also feature several interesting extras
including an audio commentary track by Johnny Legend and Eric Caidin, “The
Cadaver Is Infinity: Bob Cresse, Lee Frost and the Birth of American Mondo” an
interview with Chris Poggiali and trailers for both films.
While I’m not a fan
of these films I do see the need to have them available not just for the fans
who love them but as a piece of history as well. Not all movies will be GONE
WITH THE WIND but then again not all movies will be PLAN 9 FROM OUTER SPACE
either. But all of them need to be preserved for historical reasons and that
makes these films being available a joy. That Severin has done so with the
amount of care they have makes them just that more worth having for fans.
Click here to order.
Click here to order.
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