There are movies that are made the ride off into obscurity
only to be discovered by a different generation or rediscovered by the few
people who saw the film when originally released. These films don’t quite
belong in the cult movie category, instead falling into a category all their
own. They’re movies that should have played better when they opened and yet for
some reason the timing was off, the promotion of the film was lacking or the
studio just didn’t care enough to help it along. THE HIRED HAND falls into that
category.
Director Peter Fonda stars as Harry Collings, a saddle tramp
riding the west with his best friend Arch Harris (Warren Oates) and young
companion Dan Griffen (Robert Pratt). They stop off in the small town of Del
Norte run by the corrupt McVey (Severn Darden). As Harry and Arch discuss what
they plan to do next, questioning if the dream of Dan to head to California is
worthwhile. Harry tells Arch he plans to return home to the wife he left years
ago. Gunshots ring out and Dan enters the saloon shot and killed. McVey claims
he was accosting his wife but earlier we’d witnessed him checking out Dan’s
horse.
Harry and Arch insist on burying their friend that night.
The next morning before taking their leave they sneak up to McVey’s house.
Peeking through the window the pair shoot at the occupants, hitting McVey in
both of his feet and then hightailing it out of town.
The duo do head for the home Harry left behind to find his
wife Hannah (Verna Bloom) and his now young daughter Janey (Megan Denver). Not
knowing what to expect Hannah turns a cold shoulder to Harry who asks if he can
just stay on for a bit as a hired hand and see where things go from there. She
agrees and he and Arch stay to help out the homestead.
In town they hear that Hannah has bedded down her past hired
hands which causes Arch to cold cock the braggart making the claim. He tells
Harry who that night talks to Hannah to find out it was true on occasion. She
had no idea where he was or if he would return. She tells him plain and simple
it was nothing that was going to last and she knew it going in.
Things begin to settle down and it looks like Harry and
Hannah might still make a go of it. Arch decides to head out and see California
like they talked about. A few days later one of the men from Del Norte shows up
with one of Arch’s fingers and tells Harry if he doesn’t return with him
they’ll cut off another finger each day and then move on to toes. Much to
Hannah’s displeasure he sets out to save his friend. But only one of them will
come home.
The movie is a slower paced film than most would expect with
a western. Like many westerns at the time it sought more realism than the
classic western tropes we’d come to expect. The film includes a number of
panoramic shots of the countryside filmed exquisitely by cinematographer Vilmos
Zsigmond who went on to do movies like THE DEER HUNTER, DELIVERANCE and CLOSE
ENCOUNTERS OF THE THIRD KIND. His use of natural lighting and unpolished look
to the surroundings make it one of the most realistic looking westerns ever
filmed.
When released the film didn’t do well both financially or
critically. It wasn’t until years later that critics took the movie to heart
and the word of mouth spread about what a great movie it was. When that
happened the people at the Sundance Channel championed the film and not only
showed it but released it on DVD.
For myself I found the movie a bit tedious at times and
interesting at others. I’m glad I finally had the chance to watch it and most
likely will take the time to watch it again. There are some movies that the
setting just has to be right for to appreciate them as much as they deserve.
Add to that the fact that Oates is involved, one of the greatest character
actors we’ve ever had and how could one not want to watch this more than once?
As part of Arrow’s Arrow Academy series the film is being
offered in Arrow’s standard superb condition. Both DVD and blu-ray versions are
included here, transferred from original film elements by Universal. In
addition to that they’ve packed on the extras like they normally do. Those
extras include an audio commentary track by Fonda, THE RETURN OF THE HIRED HAND
a 2003 documentary on the film, deleted scenes, THE ODD MAN Charles Gormley and
Bill Forsyth’s 1978 documentary portrait of Scottish screenwriters including
Alan Sharp who wrote the screenplay for this film, an interview with director
Martin Scorsese, an audio recording of Oates and Fonda at a National Film
Theater in 1971, a still gallery, trailers, TV spots, radio spots and a
reversible sleeve with original and newly commissioned artwork by Sean
Phillips.
Fans of westerns are sure to enjoy this one. Those
cinephiles who treasure the movies of the early 70s will also find much to
enjoy here. And for a well-rounded and thought out movie anyone should enjoy
watching this one.
No comments:
Post a Comment