If you're not familiar with the works of director Takashi Miike then by
all means become so. This Japanese director has been making feature
films since 1995 and is recognized as one of the most influential
directors of his generation. His first major splash in the US came with
the film ICHI THE KILLER, a yakuza film known for its brutal depiction
of violence. Here we are 22 years later and Miike has just unleashed his
100th film as a director. No small feat, especially or perhaps in spite
of his not being a member of Hollywood. And BLADE OF THE IMMORTAL is an
amazing film to behold.
Based on the manga comic of the same name the movie tells the story of
Manji, a Samurai on the run after killing a corrupt official and his
bodyguards. Unfortunately he's done so in front of one of the guard's
wife who goes mad. Now he feels obligated to protect her. It isn't long
before bounty hunters track him down, kill the woman and launch Manji
into a fit of rage with him attacking all 100 of them. Mortally wounded
an 800 year old nun approaches him and gives him new life by placing
magical bloodworms inside his body, providing him with immortality.
50 years pass and Kagehisa Anotsu and the Itt-ry clan are making their
way across Japan and giving fencing schools the option of either joining
them or being eliminated. One of the schools they approach refuses and
the school's leader is killed in front of his young daughter Rin. Rin
escapes and swears revenge. Seeking help she learns of Manji and
approaches him to help her and he refuses.
That all changes when Rin is attacked by Sabato Kuroi, a member of the
Itt-ry clan, who approaches her with her mother's head mounted on his
shoulder. Manji comes to the rescue and agrees to be Rin's bodyguard.
As well as training Rin, Manji protects her by fending off attacks from
other various members of the Itt-ry clan. Each battle displays his
weaknesses to both Rin and his attackers and each one uses those
weaknesses to their advantage. While Manji is immortal it doesn't mean
he can't be severely wounded.
As this is going on more plotlines are moving forward, in particular and
offer delivered to Kagehisa Anotsu from the Shogunate to train the
leader's warriors. Before doing so he plans on visiting a dojo leader on
Mt. Takao. But as with most stories neither plot moves in a straight
line and crosses and double crosses on both sides occur leading to a
climactic battle involving one of the largest and most impressive swords
battles ever captured on film.
If all of this weren't enough there are two subplots taking place here
as well. The first is the revenge motif on display not just from Rin but
from Anotsu as well. One segment has him explain why he's doing all of
this. The second is the question of immortality. Some would think it a
blessing but here we see it as a curse. To live forever and to watch
others fall while you carry on, to have next to no purpose in life and
yet be forced to live on watching others move forward it the burden that
Manji bears. When he meets another immortal, a warrior who has lived
800 years and wants nothing more than death, he's forced to confront his
reason for existence.
Miike's use of extreme violence is well on display here but far less
than has been seen in his previous films or for that matter in any
number of gore drenched horror films in recent years. While blood may
flow at various times it isn't the gushing display seen in most movies
these days. Here the violence ties into the story and the times it takes
place in, a time when razor honed swords wound their way through flesh
like a hot knife through butter. This was the way of life for a warrior
in Japan then and Miike captures it with flair.
But the story is not based on fact, the immortality should have given
that away, but on a story that melds comic book mentality with legends
of long ago. Call it a disturbing fairy tale with hints of dark comedy
thrown in for good measure. Miike takes these elements and mixes them
with his own style to create a fascinating movie.
On top of a great story this movie looks amazing. The cinematography
here, much of it taking place outdoors and with a vast number of extras
in huge battle sequences, is a sight to behold. And those fights involve
stunt work and blade avoidance that flawless.
There may be movies more familiar with movie fans or renters released
this week but for me this was the best being offered. Dubbed for those
who hate subtitles, make sure you look for this one.
Click here to order.
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