Thursday, December 7, 2017

THE BEST OF AGATHA CHRISTIE VOLUME 1: CLASSIC MYSTERIES



Acorn has gathered together some of the various programs based on the works of Agatha Christie in two volumes for fans. If you know Christie’s works then you know she is the premier mystery novelist of all time. Her stories hold your attention providing plenty of clues and suspects in each case. A suggestion if you read one of her books: don’t read the last few pages. She always provided the solutions to her mysteries in those last pages if not always the very last page.

So what has Acorn gathered together here? They being the first volume with AND THEN THERE WERE NONE. While most of us might recall the first version of this story made in 1945 with Barry Fitzgerald the story was filmed numerous times over the years. In this one things are offered quite differently than in the past.

The same story holds here, a group of strangers receiving an invitation for a weekend away on a remote island. Some are offered a pleasant weekend and others employment. None are acquainted with one another. When they arrive they find a butler and cook on hand but their hosts have yet to arrive. As they talk they find that none of them has met their hosts. Eventually they hear a voice over speakers citing each as a murderer with a past. They discover it was a recording and demand an explanation.

The butler informs them he was instructed to play the record at a certain time but insists he never met their hosts either. Around the house are posted copies of a poem about ten little soldiers as well as a centerpiece on the dining room table of 10 figures. When one of the 8 guests is poisoned, one of the 10 figures is missing. Included in the accusations were the butler and cook. Now 1 of 10 is dead and no one knows who is responsible. The body count continues as one by one each of the guests is murdered. Just who is responsible isn’t revealed until the final moments of the program.

Having seen several other of the various versions of this story I wasn’t thrilled with this one. Still set in the same time period of the book hints of one murder due to the killer being a rejected lesbian, insinuations that another was anti-gay were not things I recall from the book and seemed added here to stir controversy. The film also tends to be dismal and dark from the first moments forward with a foreboding score that runs start to finish. The original story didn’t turn dark until the murders begin and here it feels as if a sense of dread begins things.

In the end I wasn’t thrilled with the film even though the production was well made. The acting was for the most part well done. My biggest concern here lay with one of the main protagonists/guests, Vera. As played by Maeve Dermody she is constantly secretive and suspicious making her the most likely suspect when it never seemed so in previous incarnations of the story. For me it hurt the production here.

The other two movies included in this set both feature David Suchet as the famed Belgian detective Hercule Poirot. First up is FIVE LITTLE PIGS in which Poirot is hired by an heiress to discover who framed her mother for the murder of her husband that sent her to the gallows.

The story involves a number of guests at a summer party, all of which who could have been the murderer. An artists, his wife, his mistress, the man who loves the wife in secret, the man who loves the mistress in secret and more all have motives. Their stories of that fateful weekend when the husband was poisoned alter slightly from one another. But Poirot is able to decipher the clues presented and find the solution to the mystery.

Lastly is DEATH ON THE NILE, another Christie story that’s been told in feature length before and was just announced as a follow up to Kenneth Branaugh’s film MURDER ON THE ORIENT EXPRESS. This time around Poirot is aboard a boat cruising up the Nile when one of the guests onboard is murdered. Once more we have a select group of suspects all located in a small area, the boat, as Poirot filters his way through the clues that he comes across. As the group travels down the river attempts on various members lives are made and follow up murders occur. Secrets about the different guests are revealed and soon it appears that more than one person had a motive for murder. But once more Poirot is able to figure out just whodunit.

These last two items were taken from the British series that ran here in the states on PBS. While a collection of the series is available their inclusion here provides something extra for Christie fans who might not be willing or able to buy the entire series. It also provides a way for those unexposed to them a chance to see what they were like.

I’ve seen a number of people play Poirot starting with Tony Randall in THE ALPHABET MURDERS back in the sixties. Next came Albert Finney’s portrayal of him in 1974’s MUDER ON THE ORIENT EXPRESS, a much acclaimed performance and film. Then Peter Ustinov played the sleuth in 3 feature films and 3 more made-for-TV films. Lastly there was the most recent portrayal by Kenneth Branaugh in the newest MURDER ON THE ORIENT EXPRESS. Between Ustinov and Branaugh though was Suchet’s performance as Poirot from 1989 through 2013.

Suchet provided a more serious Poirot than we’d seen in the past. Randall’s was played for comedic moments, Finney more serious but reserved, Ustinov a combination of both and Branaugh now as a bit more active detective. Suchet provided a classier approach to the character, a cerebral detective who listens and observes to sift through the clues provided and come up with the solution to finding the guilty party. His Poirot is a bit more above it all than the others and displays that self-assured attitude of always being right. He captures the character brilliantly.

Fans of mysteries will want to add this to their collection and Christie fans will find it a must have. The production values are above and beyond what one would expect and help make for a top quality offering. Acorn has done a fine job of bringing these together for the novice Christie fan as well as the die hards.


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