I’ve been a fan of director John Frankenheimer for some
time. The director of films like SEVEN DAYS IN MAY, THE FIXER, BLACK SUNDAY and
RONIN always delivered plenty of action balanced with enough story to make the
films hold your interest from start to finish. I’d recalled hearing of THE
TRAIN years ago, remembered seeing it advertised when it was to be on
television but never saw it until now.
In 1944 the Germans were sensing the end was near. During
the war they had ransacked the museums of the countries they invaded and a
large collection of art has been stockpiled. In an effort to retain the art and
insure it isn’t destroyed in bombings Colonel Franz von Waldheim (Paul
Scofield) is determined to ship the treasures to Germany at any costs.
Resistance leaders in France know that the allied forces
arrival is imminent and want to make sure that the art never leaves their
country. With that arrival around the corner all they need to do is make sure
the train never leaves the country. They set into motion a plan to make sure
that this happens.
Resistance leader and an inspector for the SNCF (French
National Railway Corporation) Paul Labiche (Burt Lancaster) argues that it’s
not worth losing the lives of his men to save a load of paintings. When an
elderly engineer is executed for trying to thwart the train on his own Labiche
agrees to help and a plan is set in motion to stop the train.
The movie offers more story than action here which many were
expecting given the artwork found in posters for the film as well as the
trailer. Even with that being the case it makes for an interesting movie,
something different than most war films at that time or since. The clash of
wills between the two men is classic. What is different is their motivations.
Von Waldheim is the bad buy and yet cares more about the artwork than the good
guy Labiche. That’s something different to mull over.
Lancaster and Frankenheimer worked together on a number of
films and their pairing here works well for both of them. Lancaster is provided
a vehicle that gives him the chance to flex some acting muscle as well as add
enough action to satisfy his fans. Frankenheimer adds to the list of films he
made that showed he was a capable director no matter what he was given.
Twilight Time released this film before but it quickly sold
out. Requests were enough that they are releasing it once more in this encore
edition but as is always the case it is limited to just 3,000 copies so those
interested should jump before it’s gone once more. Extras include an isolated
score track, an audio commentary with film historians Julie Kirgo, Paul Seydor
and Nick Redman, an audio commentary with director Frankenheimer and the
original theatrical trailer.
Click here to order.
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