Saturday, April 8, 2017

GIMME DANGER: THE STOOGES BUT NOT THE 3 STOOGES



Growing up in the sixties and seventies we were exposed to a ton of music and musical styles that seem lacking in today’s world. At any time you could turn on the radio and find Frank Sinatra, Black Sabbath and Sly and the Family Stone all on the same channel. Today we tend to compartmentalize music into sub-genres and limit listening to only what we love without exposure to anything different. Had that been the case back then music would never have evolved and led to different styles. Such was the case with the Detroit band known as The Stooges.

This documentary follows the early beginnings through to the last moments of the Stooges career along with their front man Iggy Pop. It runs like most rock documentaries in that it follows the timeline, shows them performing and combines that with interviews past and present to form a cohesive of the band start to finish.

As with most bands that began in the sixties there is plenty of open talk about the drugs they took from marijuana to acid to heroin. It doesn’t glorify the use of those drugs but it was a part of the lifestyle they lived. It was a part of the rock culture at the time and the fact they survived those days without serious overdose or multiple deaths shows it didn’t always end that way. That they don’t discourage or encourage the use of drugs shows a more even keel in the discussion rather than aging rock stars saying “I did this but you shouldn’t”, something most rock docs seem to do. It becomes a hollow piece of advice in those.

The sound of the Stooges was raw and it was powerful and that’s what drew fans to them and their music. I got the sense that this stemmed from their home base of Detroit, of being exposed to that working class atmosphere, of listening to the hammering of metal in factories in the area. Many bands that came from the area were exposed to the same thing and it is apparent in the sound of bands like Grand Funk, Alice Cooper, Bob Seger, Ted Nugent and The Stooges. But The Stooges sounds was rawer than most with the exception of perhaps MC5 who played a major role in their early years as seen here.

This sound The Stooges created influenced so many bands and was also part of the foundation for the next big genre of rock music to come, punk. Their influence can be heard and is commented on in the film with their style replicating in bands like The Ramones, Sex Pistols, Sonic Youth and more. It was hard, it was fast, it was loud and it was raw. That word comes up a lot when thinking about The Stooges and deservedly so.

The movie doesn’t spend any time discussing the solo career of Iggy Pop and actually that turns out to be a good thing and goes along with what he says in the film. He talks about how the band were true Communists when they began, not in the sense of political ideology but in that they shared and shared alike. Money coming in was divided evenly. This extended to their return to the stage in 2003 at Coachella where he was offered so much to perform and said they’d have to triple the amount so each band member would get the same. To his surprise the backers agreed and they played.

The movie does give a historical perspective of the band and that’s great that a new generation will possibly find the band through the film. Many will be surprised at how influential they were. The biggest surprise in the film for me was that while directed by Jim Jarmusch his style of filmmaking isn’t on display here making the film about himself instead of the band. Rather he sticks to the straight forward format used in most rock docs and it pays off in the end.

As far as rock docs go this one is among the better that I’ve seen. It tells the story of its focus, The Stooges, rather than become a movie about stylistic choices of the director. It moves along from start to finish for the band and offers them in performance all along the way. It presents the band and its individual members in a respective tone allowing each to speak never giving one more on screen time than the rest with perhaps the exception in a small amount to Iggy. It doesn’t glamourize nor demonize the band. It just lets the music do the talking. And what powerful talking it does.

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