Friday, May 8, 2015

VAMPIRE’S KISS/HIGH SPIRITS: ONE BAD, ONE GREAT



Shout/Scream Factory has been doing a great job of the double features they’ve been issuing, bringing back many lesser known films from the past. While many are collector’s dreams the majority of the public is likely to have forgotten some of these films. In truth, some are better left forgotten while others are finally getting the blu-ray treatment they deserve. Which brings us to VAMPIRE’S KISS, a movie that I would think even the most die-hard fan of Nicolas Cage would have to say should have had a stake driven through it.

In the movie Cage plays Peter Loew, a publishing executive who treats his employees like dirt while thinking he is above it all. On a night out Peter picks up a woman he feels mysteriously drawn to. The next day he begins to worry about just who this woman was, going so far as to believe that she was a vampire who has infected him. Displaying the most insane behavior possible, Peter begins to act out the delusion he seems to be feeling. Spouting vampire teeth that he picks up somewhere, his downward spiral into madness is played for comic relief rather than actual horror.

The first problem with the movie (among many) is the terrible English accent Cage decided to employ here. While critics ripped on Kevin Costner for not using one in his Robin Hood film it seems like he made the right choice if that accent would have ended up anything like what care uses here. It’s more insulting to the English people than Austin Power’s “English teeth”. On top of that the movie wavers back and forth, trying to decide if there is indeed an actual vampire causing Peter’s problems or is it all in his head with neither truly satisfying that answer. Add to that Cage’s extreme use of overacting here and you have what many would call a bad movie. It did little at the box office, little on video release and went unnoticed or unclaimed until it was put as part of a double feature here. I can recommend this for the extreme Cage fans only and even then with some reservations.

HIGH SPIRITS on the other hand is a true joy. I remember seeing this in the theater when it was released and enjoying it from start to finish. Directed by Neil Jordan (who also did THE COMPANY OF WOLVES, THE CRYING GAME, MONA LISA and MICHAEL COLLINS) the movie is a comedic romp in the haunted halls of a dying castle that might find new life with the number of ghost hunting and paranormal programs on TV these days.

Peter O’Toole stars as Peter Plunkett, the owner of an old Irish castle that has seen far better days. In near ruins and about to be bought out by a land developer to be torn down, Plunkett comes up with the idea of touting the castle turned hotel into a haunted attraction in hopes turning around the fortunes of his inheritance. Recruiting the ever loyal staff in his endeavor, a group of tourist arrive in the hopes of finding the ghost they believe to be real. The ineptitude of the staff in staging their hauntings makes for some funny moments that unfortunately result in the guests wanting to leave.

As fate would have it though there are actual ghosts in the castle, one of which (Daryl Hannah) is “saved” by guest Steve Guttenberg. Having been stuck in the castle for centuries after her husband (Liam Neeson) killed her there, the intervention of Guttenberg could result in her moving on to the afterlife. The fact that she has fallen in love with him doesn’t help things, even more so when it turns out that his wife (Beverly D’Angelo) is the daughter of the man trying to buy the castle.

The movie is played for laughs from the antics of the staff to the hijinks of the guest who are all there for their own reasons. The father of the one family that shows is a paranormal researcher out to debunk the entire charade only to find the real ghosts more than he bargained for. A soon to be priest (Peter Gallagher) ends up possibly changing his mind when he meets Meg Tilly. And O’Toole does a tremendous job as the desperate hotel owner willing to do anything to keep the family castle and discovering there is more history in it than he bargained for not to mention more love of the location for familial reasons than he thought he possessed.

While the movie isn’t the deeply dramatic film that Jordan is known for, he does display a knack for bringing laughs to the screen. Not only that but even though the center piece for the ghosts involves a murder and the lack of a soul’s ability to transcend this world, the combination of comedy and romance here work well together. At times the film may seem a bit fast paced but in my opinion that works. I’ve never understood why for decades film makers were able to tell a story in 70-90 minutes and yet today directors feel the need to create 3 hours opuses. With this film Jordan tells the story and does it well in only 99 minutes.

Both movies are offered in a clean, crisp clarity associated with blu-ray product, something that even the worst prints can’t make appear good if the original film was shot poorly. Here they both look great. Not only that at least one of the movies offers a nice evening’s entertainment while the other does little more than take up space on a DVD disc. In any event kudos to Shout/Scream Factory for allowing these movies to live another life.

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