Sunday, March 1, 2015

GET ON UP: THE HARDEST WORKING MAN IN SHOWBIZ



One of the best things in watching a biopic (biographical movie) is that you have the chance to get interested in someone for the first time or all over again. The best part is that with any luck, you people will have the chance to be exposed to someone they may not have heard of or perhaps as in the case of GET ON UP a person they might have heard but didn’t know who it was. James Brown has become an easy impersonation, a caricature of who he really was. Many aren’t aware of his contributions to rock and R&B. With the viewing of this movie perhaps that will change.

One thing this film doesn’t do is follow a straight on narrative of Brown’s life. It opens with him in the midst of a comeback career but then turns hard right and delves into his childhood. From there the movie jumps forward and back relying little on the time line of his life. Instead it hits on the highs and lows that made the man who he was. Rather than attempt to jump back and forth writing like the movie unfolds I’ll try and touch those points.

Brown (Chadwick Boseman) started out poor, a cliché enough to garner a joke in Steve Martin’s THE JERK, but the reality of his life. Abused by his father and dumped to live with an “aunt” who ran a brothel, Brown never saw his mother after she was sent away by his father until he achieved success. While working for his “aunt” he found music coming from a church and was taken by the sound. Is this reality or movie magic? I don’t know but have no reason to doubt much of what we see here.

After doing prison time for the theft of a suit, Brown is taken in by a family who wants to provide him with a chance to make a better life for himself on parole. He becomes part of family member Bobby Byrd’s (Nelsan Ellis) band. Due to his abilities on the mic and his talent for drawing a crowd, Brown eventually takes over as lead front man for the group. During a break in a performance by Little Richard, Brown and the band take the stage and capture the audience calling themselves the Famous Flames. Richard gives him some advice and the band begins to make a name for themselves by recording a record and promoting it with non-stop touring. It pays off in the end as they are approached by a record company out of Cincinnati.

Along the way they gather an agent played by Dan Aykroyd and begin to garner attention. But the record company sees something different than the band does and wants to promote them as James Brown and his Famous Flames. All but Bobby abandon Brown and the company finds him another band. The only one to stick with Brown for most of his life ends up being Bobby. This becomes a major theme in the film, that sense that he was abandoned by almost everyone who meant something to him in his life. Some of that was due to circumstances that happened while others happened from things Brown himself did. It becomes another story of a talented artist who finds love from millions of strangers and yet has a hard time coming to grips with it in his real life.

The movie follows Brown from these early moments in his life to his arrest on drug charges later and then on to his comeback down the line. Boseman does a fantastic job as Brown, not only looking like him but bringing something special to the real life man he is portraying. While it would be easy to do the usual imitation of the way Brown spoke (which many comedians do) he plays him real, even if there are times later in his life when he seemed unintelligible. Through it all, even through the make-up that shows that slow progression of age perfectly, Boseman displays the heart and soul of the troubled singer from start to finish.

Perhaps the best way to find the depth of musical ability and history of Brown’s legacy to rock, R&B and funk is to simply hear the music. The movie offers much of that, thanks in part to co-producer Mick Jagger’s securing the rights to his music. I challenge anyone not to listen to songs like “Cold Sweat”, “Papa’s Got A Brand New Bag” or “I Feel Good” and not find your toe tapping or the urge to move take you over. After watching the film the first thing I did was to pull up those old recordings and listen to them once again. I was amazed at how much more inspiring his performances were after delving deeper into the man than I had before.

Most biopics have a certain formula that they follow, most of which revolves around a tragedy that somewhere along the line inspires the person we’re learning about on screen, how they rise above that tragedy to great success. This film does that as well but no to its detriment. Instead it reminds you of simpler times, of more pure music not filled with autotuned singers and overdubbed backing tracks. It brings back the soul of the music that filled the lifetimes of so many. Above all it makes you realize just how important James Brown was to the world of music. A more fitting film could not have been made.

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